摘要
Cultural districts have become central to urban development, blending cultural production, economic growth, and global city branding. However, tensions between global aspirations and local cultural representation remain underexplored, particularly in East Asian state-led models. Existing studies highlight cultural districts as tools of economic regeneration and soft power, often modelled after Western paradigms like the “Bilbao Effect.” While research acknowledges the adaptation of Western models in East Asia, it inadequately addresses how cultural districts negotiate place-specific identity amid globalization. This study fills this gap by examining Hong Kong’s West Kowloon Cultural District (WKCD), analyzing how global city-making aspirations are negotiated within the city’s unique post-handover political landscape, influencing governance, curatorial strategies, and financial models. Findings reveal that WKCD exemplifies broader contradictions in cultural policy, where state-led governance prioritizes Western-centric artistic standards and market-driven cultural policies, often at the expense of local artistic agency. The district’s financial model, heavily reliant on cultural tourism and commercial real estate, reinforces market-driven priorities, creating barriers to accessibility and grassroots participation. This study suggests that rather than a direct transfer of policy models, an adaptive governance framework that considers both economic imperatives and local cultural sustainability provides a more contextually responsive approach. Embedding cultural policy within a dynamic, place-specific context offers a way for WKCD and similar districts to navigate the complexities of global aspirations and local identity while fostering a more inclusive and resilient cultural ecosystem.
